I’ve been kind of running with one of the ideas that I put forward in a previous blog post, about how art is inherently transnational. And specifically, I’ve been pushing towards the idea of a project proposal rather than an
In one of our readings last week by Tonio Andrade, one part particularly stuck out me and is worth quoting in full. ‘There are stories out there waiting to be told, traces in the archives that can provide individual perspectives
In last week’s seminar, I was considering two possible project ideas. One related to the Silk Road, and the other related to the India-Pakistan partition. At this stage, I’ve done a bit of research on both these ideas, and will
I’m starting to sink my teeth into some sources that might lead me in a sensical direction for my project, and along the way I’ve come up with several new ideas and buzzwords. These discoveries all lead me to ask
Micro history gained prominence as a school of historical thought during the 1960s and 70s. It essentially seeks to attribute worldwide historical events to smaller, seemingly insignificant occurrences on a micro level. There is a great debate surrounding the effectiveness
Does anyone else have a problem with the fact that these words are basically the same? And also like…so micro means small, right? Which means that macro means big? But then on a camera, right, there is a macro setting.
When reading about transnational and microhistories, two thoughts came predominantly to mind. The first was on how one could reconcile history on what is seemingly its grandest scale with its smallest (and often its most irregular). At first glance, perhaps,
I remember doing a module on twentieth century China in year 10 at high school and noted the strong emphasis that my teacher placed on how the state strongly influenced what people read and thought. The primary sources that we
History is made up of microhistories. If you stand a distance from the tapestry, it might appear that the individual threads make up sweeping stripes –grand movements; irresistible forces— but upon closer inspection, it is apparent that each ‘thread’ has
The following blogpost will consider two aspects of our readings for Tuesday. First, I’ll be talking about utilising microhistory, and its many benefits in historical analysis. Second, I’ll consider the reading regarding the Singapore Mutiny of 1915, and will consider
Scale is a term that is intrinsically linked to the processes of transnational history. With close links to that of micro-history, scale in the transnational perspective – another crucial component of transnational history – is centred on an inherent fear
First of all, I love microhistory. When I saw that one of our readings for this coming week was Tonio Andrade’s “A Chinese Farmer, Two African Boys; and a Warlord: Toward a Global Microhistory” I was enthusiastic to see how
How accurate does history need to be in order to be valid? How accurate can it be? In the face of the concept of transnational history, and the implications that some of its wider-reaching premises bring to bear upon much
So in The Guest Worker Question in Post War Germany, Rita Chin focuses a lot on Aras Ören, a Turkish migrant to West Germany who created almost an entirely new category of writing through his literature. Obviously there were lots
Although transnational history, by its very name would suggest a nation is necessary in its premise, does it actually need a nation to provide a comprehensive historical narrative? Or instead, does it simply need a border within which to work.