From Tonghak to Ch’ondogyo

Tonghak as a religion underwent vast transformation between its founding by Ch’oe Che-u in 1860 and the Japanese annexation of Korea in 1910. Particularly, it saw shifts in its socio-political aims and its spiritual doctrine, made possible by the legalisation of the movement and wider influences upon its makeup. Carl F. Young traces these developments in his work Eastern Learning and the Heavenly Way (2014) in part of a broader narrative which saw the movement become a viable platform for nationalist voices by the 1919 March First Movement. As part of this transformation, the most apparent change is in the organisations “rebranding”, a change in name from Tonghak to Ch’ondogyo, announced in late 1905. This change in name is reflective of the wider developments Young traces, particularly within the religious sphere.

Firstly, the change in name from Tonghak to Ch’ondogyo is representative of the movements desire to separate itself from the negative image it acquired during the 1894 rebellion, which was neither promoted nor led first by official Tonghak leadership, but began as a reaction to local economic concerns. Most involved were of lower social status,  of which Tonghak initially attracted due to the centrality of folk religious elements in its early meetings and worship. Tonghak is described by Young as an almost hybrid or union of Confucianism, Buddhism, Daoism, and native Shamanism – involving aspects of Buddhist meditation and Confucian ethics – and those native folk elements, for example Che’-u’s supposed healing power, or the healing power of the yŏngbu (talisman) were among reasons why many were initially attracted to Tonghak. [[1]] The detachment from its folk elements and practices we see later in the spiritual and doctrinal developments of the religion can be viewed as a response to the 1894 uprising; an attempt to control how it was perceived by the masses. It too indicates a shift in its target audience, from peasant masses it once attracted before and during the 1894 rebellion towards the attraction of those from educated classes, alienated by the Confucian system but attracted by the preaching of its virtues. Young Ick Lew argues that this is what attracted Chon Pong-Jun, leader of the first 1894 rebellion, to Tonghak. [[2]]  Carl F. Young makes the case that a tension between ‘high’ and ‘low’ cultures – folk elements conflicting with Confucian values – may have contributed to divisions within the movement. [[3]] Ultimately, it seems these ‘high cultures’ were deemed a greater necessity to the long term survival of the organisation (something of utmost importance to its highest leadership) due to its appeal to those alienated educated classes who were to assume leadership roles and ensure the continuation of Tonghak dissemination and expansion.

Young applies Benedict Anderson’s concept of ‘imagined communities’ to the reorganisation of Tonghak into Ch’ondogyo, claiming it to be a ‘reimagining and refocusing of the parameters that held together the religious community that had been founded by Che-u’. [[4]] It can be argued that the refocusing of doctrinal aims in the detaching itself from folk religious practices ‘refocused the parameters’ of the movement in terms of its makeup, shifting the extent of its influence but in turn preserving the community. Further consolidation of this occurred in the establishment of Ch’ondogyo’s official teaching: In nae ch’on. This principle emerged officially in 1907 – translated as ‘humans are heaven’- and claimed that the divine resides within humans and pervades all creation. Anyone could attain full contact with the divine regardless of learning or social rank, allowing for potential widespread appeal, while also calling for proper ethical behaviour as a way of showing respect for heaven. The ethical and moral implications of the doctrine may have appealed to those more educated who were attracted to Tonghak due to its promotion of Confucian virtues and ethics. In nae ch’on presented Ch’ondogyo as a rational religion, in contrast to what was perceived as ‘irrational’ folk practices, and served as the foundation for social action the movement promoted.

Finally, the change in name from Tonghak to Ch’ondogyo can perhaps be seen as a reflection of the organisation’s involvement and interaction with foreign ideas via the Japan’s intellectual scene. Its initial name ‘Tonghak’ translates as ‘eastern learning’, a deliberate choice as opposed to ‘western learning’ (Sohak). Here, it presented itself as a ‘national’, Korean alternative to the Christian mission present in Korea in the early twentieth century. The movement was to provide the moral foundations for a transformed Korean society, and fill the apparent spiritual vacuum caused by the ‘discrediting of traditional neo-Confucianism and a weakened Buddhism’. [[5]] The adoption of ‘Ch’ondogyo’ translated as ‘teaching of the heavenly way’ removes the distinction between east and west, a distinction perhaps not needed nor desired following interaction with reformist thinkers in Japan and acceptance of western intellectual currents, political and social thought. Young claims that it was this western political and social thought encountered in Japan via its leader Song Pyong-jun and the movement’s involvement with the Ilchinhoe that allowed for the ‘systematisation and rationalisation of Tonghak ritual and doctrine’, and moved Ch’ondogyo away from aspects which tied it to the 1894 rebellion and negative image. [[6]]

Overall, tracing the development and shift from Tonghak to Ch’ondogyo is interesting in the study of how foreign ideas came to influence religion in Korea, and how its leaders responded to pressures to keep the movement alive and well regarded. We see that the shift allowed for a more universal audience, as indicated in its new meaning. Too, its new doctrine allowed for a new duality, appealing to both those who valued  the teaching of Confucian ethics and virtues but also those who desired a new religious community which allowed anyone to attain contact with the divine. This new apparent widespread appeal is arguably what made Ch’ondogyo a viable but also successful platform for nationalist voices later in the decade.

 

[[1]] Carl F. Young, Eastern Learning and the Heavenly Way: the Tonghak and Ch’ondogyo movements and the twilight of Korean independence (Honolulu, 2014) pp. 8-9.

[[2]] Young Ick Lew, ‘The Conservative Character of the 1894 Tonghak Peasant Uprising: A Reappraisal with Emphasis on Chon Pong-jun’s Background and Motivation’ in The Journal of Korean Studies 7 (1990), pp. 149-180.

[[3]] Young, Eastern Learning, p. 18.

[[4]] Ibid., p. 114.

[[5]] Ibid., p. xix.

[[6]] Ibid.

 

 

Men’s Perverted Use of Women’s Liberation

“Chinese men worship power and authority. They believe that Europeans, Americans, and the Japanese are civilised nations of the modern world who all grant their women some degree of freedom […] by transplanting this system into the lives of their wives and daughters, these men think they will be applauded by the whole world for having joined ranks of civilised nations” [[1]]

He-Yin Zhen in her article On the Question of Women’s Liberation (1907), provides a profound argument concerning the nature of women’s liberation which serves to illustrate the perverted use of women’s issues by men. He-Yin maintains that the promotion of the feminist cause and women’s liberation is only made in ‘men’s pursuit of self-distinction’, and thus questions whether such liberation is truly beneficial for women, or only perpetuates the existing unequal relationship between men and women.

Such ‘pursuit of self-distinction’ was visible not only among the intellectual spheres of China but also Korea, and is evidenced clearly within the Tonghak/Ch’ondogyo movement.  Carl Young in Eastern Learning and the Heavenly Way (2014) unveils this in his brief discussion of the role and status of women within the movement. The religion promoted the education of women as important ‘for the evolution of Korean society’, and one editorial even advocated the notion of equality of authority and rights between men and women. [[2]] Yet another editorial reveals that the movement’s motivation in promoting women’s education was rather a response to the idea of the need for Korea to ‘catch up’, in a comparison between its own female populations’ ignorance and those women in ‘civilised countries’ (Japan in particular) who had access to civilised education for decades, and whose social status did not differ much from men’s. [[3]]

Here we witness women’s issues being manipulated, acting as a supplement to its leaders commitment to their social and national agenda: the social enlightenment of the Korean nation. Their social and national agenda not withstanding the influence of the western intellectual discourse however, in their pursuit to ‘join ranks of civilised nations’. Japanese intellectual discourse enjoyed considerable influence upon the aims, organisation, and doctrine of the movement, both via Son Pyong-hui’s interaction with Japanese reform-minded individuals between 1901-1904, and the movement’s involvement with the Japanese state sponsored Ilchinhoe.

It is therefore not surprising to witness the promotion of women’s liberation within the movement, and the Tonghak/Ch’ondogyo movement itself serves to clearly illustrate the impacts of imperialism upon the intellectual sphere in the east, and its implications in gender relations and ideas on women’s liberation.  The feminist cause was arguably promoted for the self-interest of men, to distinguish themselves as progressive, enlightened men championing women’s liberation in a project of enlightenment and national self-strengthening; perhaps in the face of ‘civilised’ nations and influenced by popular ideas of Social Darwinism.

Women’s liberation as He-Yin suggests was presented as a double edged sword. There came the visibility of women’s issues and rights, primarily concerning education, and provided foundations for later activism. Yet such rights came from men who sought to promote women’s liberation in order to promote their own status as enlightened men in the modern world, and therefore can be questioned as truly meaningful representations of well-intentioned progress. Did men’s views of women as their private property, or their relations in reality shift? Or did women’s liberation only strengthen the existing power imbalance and subordination of women to men, for they would not have such rights to freedom without them. He-Yin’s questioning of the nature of women’s liberation was not unfounded, and her concerns highlight the importance of studying feminist history, or the feminist cause within history, as a study of such gender relations rather than simply aiming to uncover the ‘voices of women’.

 

[[1]] He-Yin Zhen ‘On the Question of Women’s Liberation’ (1907), in Lydia He Liu, Rebecca E. Karl, Dorothy Ko (ed.) The birth of Chinese feminism: essential texts in transnational theory (New York, 2013), p. 60.

[[2]] Carl Young, Eastern Learning and the Heavenly Way: the Tonghak and Ch’ondogyo movements and the twilight of Korean independence (Honolulu, 2014), p. 169.

[[3]] ibid.