Kita Ikki was a prominent thinker in post-Meiji Restoration Japan whose work offers a unique synthesis of revolutionary ideas and critiques of state structures. His conceptualization of ishin (revolution) and kokutai (national polity) intertwines socialist, liberalist, and nationalist thought, aiming to balance individual agency with national unity in response to Japan’s modern crisis. Through ishin, Kita envisions collective will as a force for transformative change, while kokutai provides the ideological foundation to unify this transformation within a distinctly Japanese identity.
The challenges of modernity and Westernization led many early 20th-century Japanese thinkers to reconsider government structures, imperialism, and Japan’s path forward in the global political sphere. While observing the Chinese situation approaching the Xinhai Revolution, Kita related the circumstances to other modern revolutions in order to produce a history of revolution which he could use to critique the contemporary state of Japanese affairs.(( George M. Wilson, ‘Kita Ikki’s Theory of Revolution’, The Journal of Asian Studies, 26: 1 (1966), p. 90. )) Believing history progresses along an uneven but linear trajectory of social evolution, ishin in Kita’s framework is a gradual transformation of social values and institutions rather than a sudden violent upheaval, contrasting with many of his socialist contemporaries.(( Ibid. )) These value changes, he posited, emerge first in a ‘war of ideas’ within each country and culture—an ongoing ideological struggle where victorious ideologies shape human action and societal direction. Revolutions, then, must act alongside the newly established social values and aim to form a ‘citizen state’ rooted in social democracy, driven by self-conscious intellectual elites and military support as agents of change.(( Ibid., p. 91. ))
Kita’s interpretation of ishin is closely linked to his observations of the Meiji Restoration and modern revolutions, and his goals for the kokutai are reflected in what he feels are changes which were stunted by the Restoration. By defining what revolution should do, Kita came to critique the Meiji state as a bourgeois construct serving capitalist and landlord classes. With the creation of the imperial constitution, Kita argued that legally a socialist state existed but remained unrealized due to oligarchic domination and a capitalist economy controlled by the elite.((Brij Tankha, Kita Ikki and the Making of Modern Japan: A Vision of Empire (Kent, 2006), pp. 69-70 )) For Kita, the Meiji Restoration successfully changed Japan’s social values but failed to transform government structures, leaving it trapped in a patriarchal rather than a people’s state.1 His critique strongly diverged from his socialist contemporaries by adapting revolutionary ideals to Japan’s unique conditions and incorporating the emperor’s role into his ideal form of government.
Kita’s dynamic relationship between kokutai (national polity) and seitai (form of government) particularly distinguishes his ideal form of government. Kita challenged established static interpretations of the emperor’s role, which he instead argued must derive power only from the people.(( Ibid., p. 36. )) Rather than seeing society structured by a contract between the state and the populace, Kita supports his interpretation with the assertion that societies are organized for survival, attributing state power to the unified population.(( Ibid. )) In order to correct Japan’s governance, oligarchic rule must end and harmony must be repaired between the sovereign and the people; however, this would not be accomplished by abolishing imperial rule but instead by redefining kokutai. By moving beyond the patriarchal state and unbroken divine imperial lineage, Kita reinterprets kokutai as the essential body of the state which adapts to the changing needs of society.(( Ibid., p. 37. )) Instead of imitating Western ideals of revolution or government, Kita saw the path to utopia in the “process of self-genesis through national awakening” which was enabled through ishin and kokutai as he understood them.(( Wilson, ‘Theory of Revolution’, p. 96 )) By reconciling these concepts, Kita Ikki proposed a new way of thinking about Japan’s national identity and political philosophy. His vision reflects broader implications for the roles of tradition and modernity in state building, providing a unique Japanese response to the crises of his time.
- Ibid., p. 70. [↩]