{"id":868,"date":"2018-03-05T10:00:06","date_gmt":"2018-03-05T10:00:06","guid":{"rendered":"http:\/\/transnationalhistory.net\/doing\/?p=868"},"modified":"2018-03-09T06:33:18","modified_gmt":"2018-03-09T06:33:18","slug":"an-indian-villager-an-american-sailor-a-frenchwoman-an-opium-trader-and-an-african-american-on-a-ship","status":"publish","type":"post","link":"https:\/\/transnationalhistory.net\/doing\/2018\/03\/05\/an-indian-villager-an-american-sailor-a-frenchwoman-an-opium-trader-and-an-african-american-on-a-ship\/","title":{"rendered":"An Indian Villager, An American Sailor, A Frenchwoman, an Opium Trader and an African American On A Ship"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\"><i>Sea of Poppies <\/i>is a historical novel written by Amitav Ghosh, and is an intriguing study into opium trade, and how it affected the Indians who were involved. It also focuses on indentured servitude of Indians away from the subcontinent and towards islands such as Mauritius, Fiji, Trinidad. The book is labelled under the <i>Ibis <\/i>Trilogy, named after the ship that transported groups of people away from the Indian subcontinent, and focuses on the East India Company and their cultivation of opium in India in order to profit from trade with China. In my study on the East India Company for my extended project, which will be looking at how the British utilised foreign relationships to benefit their association with India, this book seemed to crop up in numerous sources and I thought that it would be interesting to consider in a blog post. <\/span><\/p>\n<figure id=\"attachment_869\" aria-describedby=\"caption-attachment-869\" style=\"width: 1454px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/transnationalhistory.net\/doing\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-05-at-12.18.54-AM.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-869\" src=\"https:\/\/i0.wp.com\/transnationalhistory.net\/doing\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-05-at-12.18.54-AM.png?resize=750%2C451\" alt=\"\" width=\"750\" height=\"451\" srcset=\"https:\/\/i0.wp.com\/transnationalhistory.net\/doing\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-05-at-12.18.54-AM.png?w=1454&amp;ssl=1 1454w, https:\/\/i0.wp.com\/transnationalhistory.net\/doing\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-05-at-12.18.54-AM.png?resize=300%2C180&amp;ssl=1 300w, https:\/\/i0.wp.com\/transnationalhistory.net\/doing\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-05-at-12.18.54-AM.png?resize=768%2C462&amp;ssl=1 768w, https:\/\/i0.wp.com\/transnationalhistory.net\/doing\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-05-at-12.18.54-AM.png?resize=1024%2C616&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><figcaption id=\"caption-attachment-869\" class=\"wp-caption-text\">\u201cOpium Financed British Rule in India\u201d, says Amitav Ghosh in an eyeopening interview with the BBC.<\/figcaption><\/figure>\n<p class=\"p1\"><span class=\"s1\">The book, crucial in our study of Indian history during the East India Company, is inherently transnational in nature. The <i>Ibis, <\/i>which is the ship that these many cultural groups meet to travel to Mauritius, becomes a transnational space that seems to cloud the definitive boundaries amongst the varied groups of people. The people who board the ship include an Indian female villager (who escaped from \u2018sati\u2019), A French woman, an African-American freedman, an Indian landowner and a half-Chinese convict. Paulette, the French woman, refuses her European heritage to embrace life as an outsider, a foreigner. She therefore disguises herself as a Brahmin, and establishes a connection with the other women on board. This demonstrates the fact that nations and borders did not necessarily play a significant role in the forging of alliances. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Ghosh, it is argued, uses untold stories: \u201cThe coolies who inspired \u2018Sea of Poppies\u201d didn\u2019t have that power [to inscribe]\u2026 they didn\u2019t leave diaries behind; after all, they couldn\u2019t even write. So where does that leave those who would tell their stories? Ghosh is forced to imagine them, based on the limited sources available, but he does so with the instincts of an anthropologist more than a novelist\u2026Ghosh obviously wants to make the novel a literary excavation, digging up the stories of people lost to history, but in the process his characters themselves often seem like artefacts.\u201d While it is widely considered a novel, not a microhistory, it can be argued that this book is rather historically accurate in its approach to understanding the atmosphere around the major fictional characters. Ghosh, for example, \u201cread the description of the great Sudder opium factory at Ghazipur\u2026by the factory superintendent, JWS MacArthur,\u201d and therefore \u201ccreates an encyclopaedia of early 19th century Indian food, servants, furniture, religious worship, etc.\u201d\u00a0<\/span><\/p>\n<figure id=\"attachment_870\" aria-describedby=\"caption-attachment-870\" style=\"width: 1456px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/transnationalhistory.net\/doing\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-05-at-12.21.01-AM.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-870\" src=\"https:\/\/i0.wp.com\/transnationalhistory.net\/doing\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-05-at-12.21.01-AM.png?resize=750%2C375\" alt=\"\" width=\"750\" height=\"375\" srcset=\"https:\/\/i0.wp.com\/transnationalhistory.net\/doing\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-05-at-12.21.01-AM.png?w=1456&amp;ssl=1 1456w, https:\/\/i0.wp.com\/transnationalhistory.net\/doing\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-05-at-12.21.01-AM.png?resize=300%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/transnationalhistory.net\/doing\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-05-at-12.21.01-AM.png?resize=768%2C384&amp;ssl=1 768w, https:\/\/i0.wp.com\/transnationalhistory.net\/doing\/wp-content\/uploads\/2018\/03\/Screen-Shot-2018-03-05-at-12.21.01-AM.png?resize=1024%2C512&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><figcaption id=\"caption-attachment-870\" class=\"wp-caption-text\">Amitav Ghosh, author of Sea of Poppies<\/figcaption><\/figure>\n<p class=\"p2\"><span class=\"s2\"><b>Photograph: Amitav Ghosh, author of Sea of Poppies<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">In our readings a couple of weeks ago, we discussed Fernand Braudel\u2019s comment on how an imagination is a historian\u2019s most valuable tool. However, Ghosh is not a historian. To what extent can we treat his book like a microhistory? Can we treat this representation of coolies in rural India, and peasant workers who worked on opium farms as an accurate representation of the Company\u2019s influence in the country? Personally, I find that this book is vital to my study of the East India Company, and approaches a rather dark subject within Indian history in an engaging and intriguing manner. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sea of Poppies is a historical novel written by Amitav Ghosh, and is an intriguing study into opium trade, and how it affected the Indians who were involved. It also focuses on indentured servitude of Indians away from the subcontinent<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[149],"class_list":["post-868","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-opium-ship-foucault"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5wNtZ-e0","_links":{"self":[{"href":"https:\/\/transnationalhistory.net\/doing\/wp-json\/wp\/v2\/posts\/868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/transnationalhistory.net\/doing\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/transnationalhistory.net\/doing\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/transnationalhistory.net\/doing\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/transnationalhistory.net\/doing\/wp-json\/wp\/v2\/comments?post=868"}],"version-history":[{"count":1,"href":"https:\/\/transnationalhistory.net\/doing\/wp-json\/wp\/v2\/posts\/868\/revisions"}],"predecessor-version":[{"id":872,"href":"https:\/\/transnationalhistory.net\/doing\/wp-json\/wp\/v2\/posts\/868\/revisions\/872"}],"wp:attachment":[{"href":"https:\/\/transnationalhistory.net\/doing\/wp-json\/wp\/v2\/media?parent=868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/transnationalhistory.net\/doing\/wp-json\/wp\/v2\/categories?post=868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/transnationalhistory.net\/doing\/wp-json\/wp\/v2\/tags?post=868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}