A few weeks ago, as I was explaining to my family that I would soon be taking a module on Global and Transnational History, my grandfather exclaimed that I would return from Scotland knowing \u201ceverything about everything\u201d and become the family\u2019s pride. Despite being convinced of my own naivety I was not able to refute him. Indeed, global history also conjured in my mind the idea of a \u201cplanetary comprehensiveness\u201d, as Conrad puts it, of a total knowledge produced by scholars casting an almost \u2018god-like\u2019 all-encompassing look on time and space. This perspective made me feel all at once fascinated, fearful and sceptical.<\/p>\n\n\n\n
To my delight, this first week has demonstrated that Global and Transnational history is infinitely more complex and promising.<\/p>\n\n\n\n
As an aspiring geographer, I am particularly enthusiastic about the possibility of using and investigating the concept of space in history: in the ARH Conversation, Isabel Hofmeyr points out that, in a \u201cpostsecular\u201d era in which the space of the state in only one spatial framework among others, scholars can investigate the \u201ctranswordly spaces\u201d which arise from beliefs, dreams and legends constituting imaginative geographies. Furthermore, Potter and Saha, in their essay \u2018Global History, Imperial History and Connected Histories of Empire\u2019, explain that connected histories are concerned with \u201cwebs of interconnections\u201d. What these two interventions reveal is that space is no longer considered as a passive, one-dimensional and homogenous stage on which historical phenomena unfold. It is in fact multidimensional and made of nodes and connections and is therefore fluid and permanently reconfigured. It produces historical phenomena as much as it is produced by them. I look forwards to reflecting on this in my project.<\/p>\n\n\n\n
This makes me think that transnational history is very linked to the notion of complication: complication of space, as just seen, but also of time since, as highlighted in the ARH Conversation, transnational historians often refuse linear narratives. Traditional \u201ccontainers\u201d such as states are replaced by complex networks, local contexts and individual agencies are put forwards and integrated to bigger scales, disciplinary boundaries are blurred. Grand structuring narratives are challenged. As Chris Bayly remarks in the ARH Conversation, transnational history produces a vision of a chaotic world in which the main drivers of change are impossible to determine.<\/p>\n\n\n\n
But isn\u2019t the task of the discipline of history to explain change? This is at least what I was always taught at school, and I think that it is a widespread opinion among the general public. What is the use of the acknowledgment of chaos and uncertainty? This process of complication is perhaps involved in a reshaping of the project of history and of our understanding of how knowledge progresses and is valued. Progress is no longer the result of a linear and incremental process of accumulating certainties, but rather lies at the intersection of contradictions, of ambiguities and of the infinite number of facets of human societies. By overlaying each other, they participate to a deep and qualitative, rather than to a mechanistic and explanatory, appreciation of the past.<\/p>\n\n\n\n
We are very far from my grandfather\u2019s all-encompassing, and necessarily general and simplifying, history. The main challenge might be to make transnational history equally understandable and attractive to him.<\/p>\n","protected":false},"excerpt":{"rendered":"
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